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- Andy smile
Shot on 35mm unlike the Med Format ones. circa 2003 or 2004. Handprinted by myself. - andy medium format
doesn't he look rather grand in this photo? :-) Shot on a Mamiya TLR I think...all mechanical, so metering was separate and I'm not sure it even had a flash trigger :-) Handprinted by myself. - Andy and Christina
35mm, probably Fuji 400 B&W as I had that bulk...either that or Pan 50 but as a handheld shot without Flash it probably was the 400. Handprinted by myself. - John
My partner John, b&w, 35mm. 2003/2004 Handprinted by myself. - John 2
Shot under tungsten lights rather than flash - as I was using b&w only I could do that...other studio shots here mostly used Flash Handprinted by myself, and boy it was a bugger - proverbial black cat scenario. I have one with better background definition but I found it after I scanned this one. - John
35mm, probably Fuji 400 - again City and Guilds. Shot with Tungsten light. - John
35mm, Fuji 400 probably - John
Properly solarised via chemistry, not a tacky Photoshop filter ;-) - Andy (colour, cross process)
This is medium format, but was cross-processed hence the intense colour. The proper version is all yellow, but the contacts I had commercially done took most of the cast out! Taken I think on a Mamiya TLR - Kirk Cross Process
Cross processed 35mm slide film, handprinted by myself. First cross process picture - as you might have guessed I LOVE XPRO! - Red Ball Rain
Victoria, London, early 2000s. Pro print from slide (Velvia? Probably not, but probably Fuji) I was on my City and Guilds course and we had been discussing selective colour, it had just started to rain, and this shot arrived in front of me. It's completely as it was shot - no Photoshop effects. I loved the patterns as the rain fell, the tarmac and the stone - and of course the light during rain intensifies colours such as red. - Little Venice
London Feb 2009 - Little Venice
London Feb 2009 - Little Venice
London Feb 2009 - Little Venice
London Feb 2009